by
Art on November 9, 2018
For our second blog post highlighting military veteran-artists in the House Collection of Art and Artifacts, we look back to the 19th century, at the careers of two Civil War soldiers.
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During a Joint Meeting honoring the bicentennial of Congress in 1989, Minority Leader Robert Michel suggested that what Congress needed during the celebration was “not more congressional prose, but the fiery, living truth of great poetry.”
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Board of Education. Doghouse. Cabinet Room. Sanctum sanctorum. Or, as Speaker Sam Rayburn modestly called his tiny hideaway where informal legislating happened, “the little room.”
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You could buy a coffin, a deer skin, or a slice of pie as you strolled the Capitol 150 years ago. “It is a grand, vaulted, arcaded street,” one visitor enthused, “and during the session filled with a jostling, hurrying throng.”
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Taken from hot-air balloons, airplanes, kites, blimps, and tall buildings, early aerial views brought a futuristic new perspective of Washington, D.C., to the public.
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by
Art on October 13, 2017
The first trademark granted in the United States used an American eagle, and into the 21st century, marketing textbooks recommended using the Capitol to give products “borrowed interest” from patriotic consumers. Ambitious soap makers in the late 1800s used the iconic U.S. Capitol to give their wares a patriotic shine.
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“The best ride in town may be on the Capitol Hill elevators,” the
Washington Post reported in 1971. The story of elevators on the House side of the Capitol—involving money, death, and machinery—is a tale about the ups and downs of power.
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On any given June day, summertime tourists visit their Representatives in the three House Office Buildings near the Capitol. But off the beaten path, at the foot of Capitol Hill, another House Office Building stands in relative obscurity. This is the story of the Ford House Office Building, an old structure that got a new lease on life, becoming the House’s own used Ford.
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On the afternoon of February 6, 1967, Representatives Catherine May, Patsy Mink, and Charlotte Reid derailed Herb Botts’ day. Botts managed the men’s gym in the basement of the Rayburn House Office Building, but he never expected the three Congresswomen to show up for his 4:45 p.m. calisthenics class. Hawaii Representative Patsy Mink pointed to her stuffed handbag and politely announced, “We’ve come to join the class.” Flustered, Botts exclaimed, “It’s just for Members of Congress.”
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Since at least 1901, a Joint Congressional Committee on Inauguration has formed every four years to arrange the inauguration of the next President of the United States. With many Members of Congress both in attendance and charged with preparing for the event, the U.S. House of Representatives has a long shared history with this momentous quadrennial event.
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Capitol Architect Thomas U. Walter had not slept well in days. The painstaking process required to mount the Statue of Freedom atop the Capitol’s unfinished new Dome had kept him awake at night. But on December 2, 1863, clear skies and a gentle breeze greeted Walter as his team of workers adjoined the final piece to the 19-foot, six-inch statue.
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On the evening of September 11, 2001, congressional leadership prepared to make their first collective response to the terrorist attacks on the World Trade Center and the Pentagon hours earlier. Members of Congress assembled on the Capitol steps to join leaders in a public demonstration of unity. Broadcast across the country, it became a powerful image of bipartisan cooperation and resolve, ending with an impromptu rendition of “God Bless America.” This gathering became a symbol of national unity in the ensuing weeks and months.
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