Aloha! Speakers of the House Nicholas Longworth and William Bankhead agreed with the Los Angeles Times: “We don’t need an excuse to enjoy the relaxed, romantic pleasure of a Hawaiian party.” In the 1920s and 1930s, Hawaiian-style parties flourished across the states, and even made it to the Capitol.
With a strategic location in the Pacific, tropical weather, and an abundance of colorful vegetation, the island territory captured the imagination of the mainland. Continental Americans found the bright flowers, cuisine, and decorations of Hawaii both exotic and irresistible, romanticizing the territory of Hawaii as a tropical paradise.
Perhaps Mrs. Houston was thinking of the symbolism and generosity of her gift to the Speaker. A traditional, handmade lei, like the one the Houstons presented to Longworth, was unique, requiring hours of meticulous work. Leis are thick strands of flowers carefully sewn together and worn as necklaces or draped around a hat. The craft of lei-making stretched back through the history of the Hawaii. Leis were made from colorful, fragrant native flowers, including red lehua, white ginger, and yellow ilima. They sometimes were also made with shells, feathers, paper, seeds, and hair. Making a single lei required about seventy flowers. A lei maker stripped the calyx, or base, off a blossom, pierced it with a needle, and then individually added it to the strand. The flowers and arrangement were chosen to fit the recipient.
Lei Day, “a bubbly, happy, spontaneous expression of the joy of living in Hawaii” was proposed in 1928 by Oklahoma-born poet Don Blanding. Celebrated on May 1, Lei Day featured a Lei Queen and her flower-decked court, Hawaiian music, and a lei pole. The holiday first took place in Honolulu, but by the second Lei Day, the floral festivities extended to Washington, D.C., and the Speaker of the House.
Sources: Steven J. Freisen, “The Hawaiian Lei on a Voyage through Modernities: A Study in Post-Contact Religion,” Beyond Primitivism: Indigenous Religious Traditions and Modernity (Routledge, 2004); Washington Post, May 1, 1929; Los Angeles Times, February 25, 1939.
This is part of a series of blog posts exploring the art and history of photographs from the House Collection.
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