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“The House of Representatives, in some respects, I think, is the most peculiar assemblage in the world,” Speaker Joe Cannon of Illinois once observed. Behind the legislation and procedure, House Members and staff have produced their own institutional history and heritage. Our blog, Whereas: Stories from the People’s House, tells their stories.

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Displaying 25–34 of 34 results

The Search for Common Ground

In the span of five months during the winter and spring of 1962 two major entrenched powers faced off in an obstinate battle of wills. This wasn’t a traditional war, but more of a smoldering, protracted conflict between long-time rivals with competing interests. Territory was contested. Stakes escalated. Worldviews were challenged. Catastrophe beckoned. And all the while, the ability of the federal government to function hung in the balance.
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Integrating Dick and Jane

Illustration of Children Playing from the Cover of Fun with Dick and Jane
Fun with Our Friends, a Dick and Jane reader, played a role in a congressional hearing about bias, race, and education.
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The “Mayor of Washington” and the Unexpected Portrait

The story of Representative Mary Norton’s portrait commemorating her stint as “Mayor of Washington” reflects Norton’s guiding ethos throughout her career. Commissioned by a group of notables from the District, and painted by local artist Elaine Hartley, the Norton portrait was executed in a spirit of community in appreciation, and in support of a fellow professional woman.
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Edition for Educators—Black History Month: African-American Congressmen in Committee

The institution of Jim Crow laws in the late 1800s sharply limited the number of African Americans elected to Congress until passage of the Voting Rights Act in 1965. As voting reforms led to greater black political participation and more African-Americans being elected to Congress, Black Members began to establish seniority sufficient to attain chairmanships and better committee assignments.
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Breaking the Code: Duncan Lee, HUAC, and the Venona Files

Duncan Lee
Here’s the thing about being a spy: You can’t tell anybody. Especially if you’re a descendant of the Lee family of Virginia, educated at an elite prep school and university, a Rhodes Scholar, a lawyer at a prominent Manhattan law firm, and working in counterintelligence for the United States. Duncan Chaplin Lee was and did all of those things. He was a spy, and he got away with it.
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A Committee Chair Huddle

A Meeting Between Representatives Mary Norton and Caroline O'Day and Senator Hattie Caraway
Maybe it was a chance meeting . . . or maybe it wasn’t? On July 23, 1937, House Members Caroline O’Day of New York and Mary Norton of New Jersey met Senator Hattie Caraway of Arkansas in the halls of the U.S. Capitol. What made this spur-of-the-moment meeting unique was that three women chaired three committees simultaneously for the first time in congressional history.
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The White Squadron

Peace (The White Squadron in Boston Harbor), or more simply Peace, has been around the block—the Capitol block. It started out in Chicago, came to the Capitol, and then arrived at the Cannon House Office Building.

 

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Categories: Capitol Campus, Committees, Art

War and Peace: Representative Ron Dellums and the House Armed Services Committee

For many freshman Representatives, finding a way to stand out in the large and crowded House of Representatives poses a major challenge. Ron Dellums of California had no such problem. Elected to the House in 1970, at the age of 34, Dellums drew upon his national reputation as an outspoken anti-war and anti-establishment activist to challenge the institution and to secure a spot on the unlikeliest of panels: the House Armed Services Committee.
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Out of the Blue: UFOs and the Freedom of Information Act

The existence of UFOs may seem like the exclusive domain of science fiction, but as Representative John Moss of California laid the groundwork for legislation that eventually became the Freedom of Information Act (FOIA) in 1966, he didn’t discriminate in his pursuit to open as much government information as possible to the public.
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The Not-So-Lonesome West

For a House committee, commissioning paintings during the post-Civil War era involved more than matching colors with the furniture. When the House Committee on Indian Affairs hired artist and Army officer Seth Eastman in 1867 to produce nine paintings for their hearing room, his task was not only to decorate their space, but to project an ideology through images.
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Categories: Committees, Art